Introduction[ edit ] Sonnet 1 is the first in a series of sonnets written by William Shakespeare and published in by Thomas Thorpe. The first mode of preservation entertained is procreation, which is urged without letup in the first fourteen poems and twice again". Though the idea that the Fair Youth and the W.
It may be further classified as external, since its conflict lies in the realm of reality and is developed by natural rather than supernatural means. Its time relation falls in the palmy days of Venetian greatness, before the enterprise of Da Gama had made the front door of Europe to open on the Atlantic ocean, leaving the Mediterranean seaports to be only unimportant side-entrances.
From busy Venice the scene shifts to Belmont, whose name in literal derivation, beautiful mountain is strikingly suggestive. The purpose of the drama is to set forth the main conflict between the right to property and the right to human life; and the lesser conflict between the will of the parent and the child's right of choice.
The play divides itself easily into two lines of action: But so closely interwoven are the interests of the two that they stand each to the other in the relation of means to an end. It is the business of the first act to develop the sealing of a bond between Antonio, the merchant, and Shylock, the usurer.
The purpose of this compact on Antonio's part is to assist Bassanio to follow a winning suit for Portia, - a favor that in the retribution of good deeds will come back a hundred fold, through Portia, to Antonio.
On the part of the Jew it is to get a hold over an enemy whom the Jew hates, and whom through legal means he intends to destroy.
When the time comes for canceling the bond, although thrice the amount of the debt is offered to Shylock, he still insists upon his pound of flesh, which by the statutes of Venice he may claim. He proposes to hold in strict justice to the letter of the law though all humanity cry out against it.
Hence there arises the struggle between the right of the creditor to his property and the right to human existence. But the struggle has a deeper root than a mere question of right and wrong in the business world. It is primarily a spiritual conflict between Christianity as represented by Antonio and Judaism in the person of Shylock.
With this broader basis the play takes on a more vital importance. The second act sets forth the conditions under which the beautiful Portia may be wooed and won.
These are, that the suitor shall choose out of three caskets the one containing Portia's picture; failing in this, he shall agree not to wed any woman.
No account is taken of Love, which is the sacred basis upon which the family is built. It is the old, old story of the struggle between parental will and the right to individual choice.
These two conflicts in the play, tending to disrupt the family and through the tragical power of the law to destroy human life, are to be happily overcome, else the poet would sink from holding the grand ethical power of the teacher into the mere office of the sensationalist. Such defection Shakespeare never permits.
The love conflict must be mediated, and what seemed through parental authority to rest upon chance must be subjected to the higher right of the will of Portia. In the third act comes the mediation of the minor struggle.
When the lovers meet, certain influences are about Bassanio to lead him to a wise choice. Because he really loves Portia and she in turn loves him, he has the right to claim her over all singling-out of caskets. Moreover, it is because he loves her, and losing her, cannot love another, that he will choose aright, for his heart is centered on internal worth and not external show.
It is not for her wealth, although she is "A lady richly left," nor yet for her beauty, though "Her sunny locks Hang on her temples like a golden fleece," but because she has "wondrous virtues" that Bassanio loves her most. Under the spell of that influence that sees the merit of genuine and enduring affection, that spirit that binds two souls "so long as they both shall live," he will ignore the gold and silver caskets for the leaden one.
But Bassanio has most direction from Portia herself. At the last moment she rises above parental authority, since that authority would subject her to the cruel chance of wedlock without love and so profane and destroy the sweet and holy marriage rite and the sacred institution of the family.
By the introduction of a skillfully worded song, whose purport is to urge a disregard for outward appearance, she adroitly leads Bassanio to choose the leaden casket.
She becomes herself the mediator of the conflict, and the two are happily married. But the thing was made possible by the generosity of Antonio, who for this generosity is now about to give up his life. Portia then owes a duty to Antonio, which her recent struggle between her right to love Bassanio and her allegiance to her dead father has prepared her to more intelligently perform.
So the fourth act brings on the famous trial scene, when Life and Law hang in the scales. But since Law exists to protect and not to destroy, a way out of the dilemma must be found.
The conflict turns upon a mere form of law, yet the force of that form cannot be gainsaid.+ free ebooks online. Did you know that you can help us produce ebooks by proof-reading just one page a day?
Analysis Of `` The Merchant Of Venice `` By William Shakespeare Words | 6 Pages. In the novel Frankenstein by Mary Shelley and the play The Merchant of Venice by William Shakespeare, love is a central mechanism to both the plot and character development. A summary of Act I, scene iii in William Shakespeare's The Merchant of Venice. Learn exactly what happened in this chapter, scene, or section of The Merchant of Venice and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Analysis of The Merchant of Venice William Shakespeare's play "The Merchant of Venice" is based on a simple enough plot, but it gives a more complex view of the characters involved. It portrays each characters attitude, opinions and actions and shows how they affect the other characters.
Go to: Distributed Proofreaders. International Scholars Tuition School International Scholars Tuition School (IST) tutors are dedicated to teaching the most comprehensive lessons for the 11+ Common Entrance Exams (CEE), UKiset, Verbal Reasoning, Non-Verbal Reasoning, 13+ Common Entrance Exams (CEE), 13+ Common Academic Scholarship Exams (CASE), and Eton College King’s Scholarship Exams, to Hong Kong students who .
Shakespeare's play The Merchant of Venice categorized under the high comedies, is a romantic comedy that takes place in the exotic Venice, the world of commerce in the sixteenth century.
This is. The Merchant of Venice is a 16th-century play written by William Shakespeare in which a merchant in Venice must default on a large loan provided by a Jewish moneylender. It is believed to have been written between and Though classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic .
Many of the problems and confusions in Shakespeare’s “Twelfth Night” are the result of gender bending episodes, many of which involve disguise and deceit of one form or another. Explore the different themes within William Shakespeare's comedic play, The Merchant of heartoftexashop.com are central to understanding The Merchant of Venice as a play and identifying Shakespeare's social and political commentary..
Reality and Idealism. The Merchant of Venice is structured partly on the contrast between idealistic and realistic opinions about society and relationships.